Showing posts with label Historical Fiction. Show all posts
Showing posts with label Historical Fiction. Show all posts

Wednesday, August 14, 2013

The Old Man and the Sea

Old Man and the Sea
Ernest Hemingway










Paperback, 99 pages
First Published:  1952
Publisher:  Arrow Books
ISBN:  9780099908401



61130Blurb:  Set in the Gulf Stream off the coast of Havana, Hemingway's magnificent fable is the story of an old man, a young boy and a giant fish. In a perfectly crafted story, which won for Hemingway the Nobel Prize for Literature, is a unique and timeless vision of the beauty and grief of man's challenge to the elements in which he lives.







 “I try not to borrow. First you borrow. Then you beg.”

Among the most iconic books written in 20th century, Ernest Hemingway’s “Old Man and the Sea” has a spot of its own. In case you have not been living in a cave since you were born, you’d have heard of its reference somewhere. Published in 1952, The Old Man and the Sea went on to win Pulitzer Prize. It was also cited as the contributing factor to Ernest Hemingway’s Nobel Prize in 1954.

 Santiago, an old veteran fisherman, embarks on a lonesome journey in his skiff to catch a big fish after not catching a single fish for past eighty four days. The book chronicles the struggle of the old man and the marlin in the Gulf Stream. Even with scarcity of basic amenities, Santiago does not let go of the marlin, at the risk of his own life. He does so because he believes in his skills no matter what the other fishermen think of him. The book is the depiction of struggle of man with the nature for his existence.

The writing style of Hemingway is poetic. The scenes are full of imagery. The book contains a lot of monologues, which are masterfully written by the Nobel Laureate. Hemingway is highly economical with his words without leaving any point of the characterization of the old man. Without even ever talking about it, the author depicts the desire of the Old Man to cement his place in the Cuban society and culture. The author also paints the picture of the relation between the young boy, Manolin, and the Old Man. The reader is presented with a vivid picture of their interdependence on each other, even though the young boy’s parents do not let him work with the Old Man.

Although it might take you only a single sitting to read the entire novella, the book will end up giving you enough food for thought that will take a long time digesting. The central theme of the book is man’s capability, strength, bravery and ethics at the time of adversity. Te recurring theme of manhood in Hemingway’s literature is also present in this book. The struggle in the Gulf Stream between the marlin and the old man can also be seen as a metaphor for the adulation, love and respect between two adversaries of equal footing. The turn of the events later on in the book tend to show the ethics of manhood, too.

The book can be summed up as a triumph of an individual. It is the moral code of a life laid bare, where a man has to fight for his even most essential needs.  In modern life we would hardly have to struggle for life’s basic needs against nature like Santiago, but still he teaches us how to accept failure in life, strive alone for our goals with dignity, believe in our capability, and when success comes accept it with humility.

I think every lover of literature should go through this small, yet magnanimous piece of literature. Ernest Hemingway’s Old Man and the Sea is highly recommended!  


Reviewed by: Shadab Ahmed.

Saturday, July 27, 2013

A Tale of Two Cities


A Tale of Two Cities
By Charles Dickens







Paperback, 382 pages
First Published in:  1854
Publisher:  Bantam Classics
ISBN:  9780553211764 



Blurb:  'Liberty, equality, fraternity, or death; -- the last, much the easiest to bestow, O Guillotine!' 

After eighteen years as a political prisoner in the Bastille, the ageing Doctor Manette is finally released and reunited with his daughter in England. There the lives of two very different men, Charles Darnay, an exiled French aristocrat, and Sydney Carton, a disreputable but brilliant English lawyer, become enmeshed through their love for Lucie Manette. From the tranquil roads of London, they are drawn against their will to the vengeful, bloodstained streets of Paris at the height of the Reign of Terror, and they soon fall under the lethal shadow of La Guillotine.
A masterful pageant of idealism, love, and adventure -- in a Paris bursting with revolutionary frenzy, and a London alive with anxious anticipation -- A Tale of Two Cities is one of Dickens's most energetic and exciting works. 



Doctor Alexander Manette has been captured in the prison of Bastille, before the French Revolution, and has almost lost his senses in the eighteen years of exile from the world beyond his cell. When an old friend and banker, Jarvis Lorry, summons Dr Manette’s daughter, Lucie Manette, on the pretext of settling some issues of the property that her ‘dead’ father has left her, she agrees to meet him in Dover. After circumlocution, Mr Lorry eventually tells Lucie that they are to get her father back from St Antoine in Paris. After hearing the news, Lucie passes out. Soon after, they are on their way to St. Antoine, for the Resurrection of Dr Alexander Manette.

I wasn’t acquainted with Dickens’ writings before I picked up A Tale of Two Cities. Although, I had read David Copperfield as a child, I don’t remember any of it now. Except hating Uriah Heep.

 However, a lover of World history, I loved the way the conditions of both France and England have been portrayed with n number of metaphors. Apart from what I had read in high school, I knew nothing of the French Revolution. But Dickens does not show us just history. He shows us lives of people of the Guillotine. Or even that of people in England. Many say that Dickens relied on Carlyle’s The French Revolution for writing A Tale of Two Cities, which in itself wasn’t very correct in exploring the history of the event. While many say, that Dickens corrected over the facts before writing A Tale of Two Cities. Whatever it is, as Dickens tells me of these lives, I take them as gospel.

The second part of the book was quite a task. I couldn’t take much of Charles Darnay’s courting Lucie, Sydney Carton’s drinking bouts, Dr Mantette’s madness, the blabbering of Miss Pross, the messy hair of Jerry Cruncher, and his wife’s praying against his will. I drudged along as I read each paragraph of the Book Two. I was dreaming of the next book I would read after the torment Dickens was doing on me would be over. God! How I hated the second part of the book. I found it agonizing and tiresome with all the stupid and banal details. If I have forced myself to read a book to the verge of madness, it was A Tale of Two Cities’ Book Two. Had it not been in my literature course, I would have stopped right there and chucked it out of my window.

Had this been my first Dickens’ novel, I think I won’t have picked  him up again. But I read a little of A Christmas Carol, and it was damn hilarious. I don’t know if Dickens tried to show off too much with all the symbolism and metaphors deliberately in A Tale of Two Cities, just to prove something. I didn’t like it much.

The Third part of the book was finally where I picked, I mean, the book picked momentum again. I loved the third part of it. It was all business, and no bullshit; unlike book two. I so want to reveal the plot and say how much I loved every aspect of it. But I know, no spoilers.

However, I love Sydney Carton. Hell with Darnay! Carton is my real hero, and I think everybody who has read the book would fall in love with Sydney Carton. I cannot stop thinking about poor Carton since I finished reading ATOTC.
The Book Three is a heart wrencher. It makes the torment of the rest of the book worthwhile.

However, the recommendation would be that if you haven’t read Dickens before, DO NOT ATTEMPT to read A Tale of Two Cities for the first one of his series of books. I would have said that you shouldn’t read it at all, however, just for the sake of Sydney Carton, I say that you definitely should. 
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